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A newly engraved edition of the first twenty-two pieces in Bartok's collection of forty-two early-intermediate to intermediate-level piano solos. Both volumes include great contemporary recital selections.

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Leo Weiner (1885-1960) was recognized both as a composer and a teacher of chamber music. World-famous Hungarian musicians and string quartets pointed to him as their legendary maestro. His transcriptions for string orchestra of ten pieces from Bartok's cycle For Children are a masterpiece from a genuine musician: in it, besides simply providing study pieces for young orchestras, he also, and far more importantly, introduces learners of string ...

Bela Bartok composed Dance Suite in 1923 for the 50th anniversary of the foundation of Hungary's capital through the unification of Buda, Obuda, and Pest. It soon became one of his most popular orchestral works, and in 1925 he arranged it for piano solo. Adam Tabajdi completed the organ version of Dance Suite in 2019/20, and recorded it on the Kern organ of Sapporo's Kitara Concert Hall later that year. His transcription was inspired by the co...

Bela Bartok composed the series of forty-four violin duos in 1931, prompted by the German violin teacher Erich Doflein. With the exception of numbers 35 and 36, all the pieces are based on original folk melodies, and the majority were collected by the composer himself during his numerous field trips in the Carpathian Basin. The melody for no. 42 was collected by Bartok in Algeria. Universal Edition (Vienna) published the violin duos in 1933 in...

Ursprünglich für Klavier komponiert, sind die Rumänischen Volkstänze in der vorliegenden Transkription eine besondere musikalische Herausforderung, die junge Gitarrist:innen nicht nur in die ungewohnte Klanglichkeit der östlichen Volksmusik einführt. Durch die Beibehaltung von Bartóks originalen Tempo-, Dynamik- oder Artikulationsvorgaben werden die Interpret:innen auch aufgefordert, die Möglichkeiten ihres Instrumentes auszuloten, um dem Char...

This volume includes intermediate-level solos 22-42 of the set. These pieces are a bit more challenging, both technically and musically, than those in Volume I. All will offer freshness to lessons and recitals.

This collection includes composer's notes.

This set of six pieces is based on folk song melodies and dance forms from Transylvania which was annexed to Romania in 1920. The contrasting melodies were originally for violin or shepherd's flute, but the unusual harmonies are original with Bart?k. The performance time for the complete set of dances is approximately 4 minutes, 15 seconds. Included is an outstanding CD recording from the Naxos label.

Bela Bartok wrote these two short piano pieces in Budapest in 1903. The first is Andante, quasi Adagio, and the second is Andante.

Bela Bartok's Sonatina for piano consists of five different folk tunes. In a radio broadcast of the Sonatina in 1944, Bartók described the piece: This sonatina was originally conceived as a group of Rumanian folk dances for piano . . . The first movement, which is called "Bagpipers", is a dance---these are two dances played by two bagpipe players, the first by one and the second by another. The second movement is called "Bear Dance"---this was...

Bela Bartók collected folk tunes beginning in 1906, and the three melodies on which these pieces are based were arranged a year later. These are short, simple songs, written in modal styles, each with an expressive character. Includes: 1. Rubato * 2. L'istesso tempo * 3. Poco vivo.

Expertly arranged piano solo from our Kalmus Edition.

Originally conceived as part of a group of Rumanian folk dances for piano, these three movements are indeed dances, and are titled Bagpipers, Bear Dance, and Finale. There is a strong use of accents and rhythms in these descriptive pieces. Some fingering suggestions have been added by Maurice Hinson, but Bartok's performance and musical instructions have been retained.

The Two Romanian Folk Dances, Opus 8A, are a piano work written by Béla Bartók, based on Romanian folk music. Written in 1910, they date from the beginning of his interest in folk music.

Expertly arranged piano solo from our Kalmus Edition.

Bela Bartok first performed the Etude for the Left Hand in B-flat Major in Berlin, December 14, l903. It calls for octaves, power, and stamina. There is almost an improvisational feeling to this work.

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